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Tag: 120 film

Ruby American Bulldog

Ruby American Bulldog

Photographer: Mat Marrash A happy-go-lucky 2 year-old American Bulldog mix named Ruby. One of two dogs owned by painter Val Escobedo. The 52 Project, Week 3 Over the next 52 Weeks, I plan on shooting at least 1 roll…

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Vases on the Wall

Vases on the Wall

Photographer: Mat Marrash Vases sitting on the wall at Val Escobedo’s house, in Findlay, OH. Clean, simple, and lit from a nearby window mid-afternoon. The 52 Project, Week 2 Over the next 52 Weeks, I plan on shooting at…

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The Rings

The Rings

Photographer: Mat Marrash The cliche rings shot, but done in film! The 52 Project, Week 4 Over the next 52 Weeks, I plan on shooting at least 1 roll of 120 film, processing it, scanning it, and uploading 3…

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Chicken Taking a Drink

Chicken Taking a Drink

Photographer: Mat Marrash Random chicken on the Berberick farm taking a sip out of an absolutely putrid pool. The chicken’s pose is statuesque and priceless! The 52 Project, Week 6 Over the next 52 Weeks, I plan on shooting…

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Older People in the Park 3

Older People in the Park 3

Photographer: Mat Marrash Late summer afternoon shuffleboard with your friends, isn’t that what parks are all about? The 52 Project, Week 14 Over the next 52 Weeks, I plan on shooting at least 1 roll of 120 film, processing…

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Diana Camera / 120 Film

Diana Camera / 120 Film

Segment from the Film Photography Podcast – Episode 27 — February 1, 2011 Spotlight on the Diana Camera – “celebrated for its artistic effects in photographs, normally resulting in a slightly blurred composition that can provide a ‘dreamlike’ quality to…

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Episode 5 – February 15, 2010

Episode 5 – February 15, 2010

It’s a Film Photography Podcast Marathon! Michael Raso and Duane Polcou host their biggest episode to date. Over 2 hours of fun-filled and informative photography talk. Topics include the Lubitel 166u Lomo camera, Film scanning, 120 film, Agfa Clack…

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I, Hyper Critical

I, Hyper Critical

I did a tremendous about of shooting in January which led to many nights of scanning. With over a hundred images now on hand, I became hyper-critical of my new material. So, I stepped away from my work for…

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